Friday, November 30, 2007
Sometimes bands make oblique references to their influences and sometimes they throw up giant fucking neon signs. The "new" Jon Spencer Blues Explosion comp on In the Red records for example. The cover is a tribute to the Crypt Records Back from the Grave garage punk comps.
How does someone miss that? If you are reviewing this how can you not be aware of the BFTG series? Today's annoyance is Pitchfork's review of this record. Not the music just the failure to know this. If you don't even get the cover, your review of the music is just as pointless. A basic name check of Stooges,Stones, and Howling Wolf is about as lazy as you can get. Come on it wasn't like he chose to mimic artwork from a a Desperate Bicycles or Space Negros record. Back from the Grave is music geek 101.
Maybe it's my fault for being old and spending most of the cash I've ever earned on records, or maybe I shouldn't read record reviews first thing in the morning, but this set me off. Remember you are dealing with a hairy old grump and I think it is always better to keep your mouth shut and keep people guessing if your an idiot than to open your mouth and prove it.
Monday, November 26, 2007
I was expecting drono doom boredom, but this slamming lurching beast would have been right at home in boston in the early 90s on a bill with Red Bliss, Kudgel, or Luca Brasi. Tortured Screams and drum work remind me of Burning Witch but it has a melodic edge and some hooks. Songs all keep your attention whether plodding or pounding. Harvey Milk are another band that comes to mind. Guitar sound also makes me think more of Hammerhead than Hellhammer. 4 songs
Packaging is awesome-killer artowork, printed insert, and nice sleeve. Dedicated to Piggy from Voivoid-kill trends.
Kult of nihilow #12 recorded in 2005, limited to 515 but still available. Band has a record coming out and is still active.